General Notes on Tragedy, Classical Tragedy and Romantic Tragedy


In the Greek language, the word ‘tragedy’ means ‘Goat Song’ and the word came to be used for plays because of the practice of awarding goats to winners in a dramatic contest. The plays were generally serous in tone. For the Greeks, tragedy simply meant “A play with a sorrow ending,” usually, at least one death, “The action and the thoughts are create seriously and with a respect for human personality.”

The central character in tragedy, according to Aristotle is a person of admirable character and important position who is reined by single flaw of characters. Tragic flow or Hamartia, such as the ambition of Macbeth. The atmosphere of tragedy is sombre and serious. The tragedy arouses in us the emotion of pity and fear, but only to purge us of these and similar emotion and it has a spiritually gracing effect. And important feature of true tragedy in that we are left with a sense of greatness of man as well as of the suffering involved in human life.
In English literature there are comic interludes to heighten the effect by contrast. The tragedy gives pleasure and that of a high order. The spectacle of a noble character caught in the audience to a level for above the petty interest and troubles of its own everyday life. It feels exalted and ennobled rather than distressed.

Classical drama are either tragic or purely comic, but not a mixture of the two, and there should be not sub-plot or episodes uncompensated with the main theme. In other words, actions or events the play should be confined to ones species and one single plot to ensure verisimilitude. The incidents must all be logically connected. The Unity of place is a natural corollary of the Unity of time. If the play must limit itself to event that covers only a few hours, it must be confined to one place, the scene must be such as might be conceivable with the short time allowed to the action of the plot.

The chorus is other note worthy element in the classical Greek tragedy. It consisted of a group of actors; whose businesses off the stage.It also made moral comments from time to time in the action of the play to deepen the desired effect. It was sometimes an integral part of the plot, sometimes the lonely related to it. In fact, the action in the play. In English literature, a classical type of tragedy is to be found in  Milton's Samson Agonistes.        

The romantic tragedy is built on a plan different from that of classical tragedy. It is not circumscribed by the there Unities. Its action extends for years and the scene of action change from place to place as offer as the plot required. The action of Julius Ceaser takes place in Roman Sardis and then Philippi.

The romantic tragedy is debarred from mixing the tragic and the comic and also from introduced a sub-plot. Marlowe's  Dr. Faustus  has a no. of comic scenes. In the romantic tragedy scenes of violence, horror, murders and battle may be represented on the stage. In  King Lear the horrible scene of the blinding of ‘Gloucester’ takes place on the stage.

The romantic tragedy does not employ the chorus. The purpose of chorus is served through some minor characters, the soliloquies and retrospective narration, put into the mouth of some major characters. Moreover, the romantic tragedy is not completed to be did active.

In short, the romantic tragedy is written not to a set pattern, but in what ever from the writer finds best suited to his dramatic purpose. The name Shakespeare is inseparably associated with this type of tragedy, though it had been popularized earlier in England by Marlowe.

Although Shakespeare broke away from the classical tradition in several ways, the hero in his tragedy is a man of important station in life and his tragedy accurst from some tragic flaw in his character.  

Ardhendu De

Critical Analysis of Amitav Ghosh's "The Shadow Lines", Story of an Indian family and an English family in the Transitional Days of 1960's


Simply, Amitav Ghosh's The Shadow Lines (1988), is about an Indian family and an   English  family in the transitional days of 1960's covering three  cities- Calcutta, London and Dhaka.  Ghosh primarily focuses are on the meaning of political freedom in the modern world and the force of nationalism. One might struck by the  complexity of themes, destiny of narrative texture, or use of language in The Shadow Lines. But critics observe that Ghosh puts the very concept of nationalism and nationality, as it were, under the microscope, and analyses the ideologies, exigencies and implications inherent in it.  In fact,  Ghosh even questions the idea of nationalism and national boundaries while at the same time granting its existence an its operation upon human minds.  

 The novel, according to the blurb, focuses on "nationalism, the Shadow Lines we draw between people and nations, which is both  absurd illusion and a source of terrifying violence." Through the description of various political movements, with the introduction with some nationalists and with the description of the effect of such nationalist movements, the novelist sends the readers the question of the validity of such nationalism.

Nationalism, in modern history, movement in which the nation-state is regarded as paramount for the realization of social, economic, and cultural aspirations of a people. Nationalism is characterized principally by a feeling of community among a people, based on common descent, language, and religion. ( Hans )

Congress was the first ever biggest Indian political party that included all kinds of religious people. And they had unitedly fought against the British Raj under nationalistic banner and the movement turned a success resulting the division of India. Pakistan was united for the religious nationalism instead of cultural nationalism. Read More Novel The Hindus of Erstwhile East Pakistan started shifting to West Bengal and the Muslims of West Bengal started coming to East Pakistan because of religious affinity. But the division did not make any success because the people (Hindus and Muslims) of East and West Bengal started fighting with each other. As a result of this Tridib, the narrator's mentor who had given him the eyes to see the world, was killed in the riot of East Pakistan in 1964.

 Ghosh in The Shadow Lines not only gives the readers the idea of nationalism but questions the so-called nationalism. The fundamental nationalism also emerged from the character of the narrator's grandmother. She is a fundamental nationalist and wants freedom. She is very passionate for freedom. As we see that when she was young during the Swadeshi movement, she wanted to john it and could do anything for the country.  She says, "I would have killed his.  It was for our freedom." But the author shows that the so called nationalism has no value at all. Here Thamma fails to see that nationalism has destroyed her home and spilled her kin's blood. As she says, "we have to kill them, before they kill us." Till the end she fails to realize that national liberty in no war guarantees individual liberty.

Image: Wikipedia
The event of the story-personal and political are set in many countries especially England, India and Bangladesh. The raw material is provided by World War II, Indian Independence, and the partition of country and subsequent riots, against which Ghosh studies the historical truths. Ghosh uses multiple narrators from whose point of vies the story or novel is described. Hence, the novel falls under the study of narratology. Read More Indian English The novel, while it is being ‘narrated through different narrators, creates a picture of their stored experiences of their past, or their memory in front of the reader. Hence, these narrators’ narrative technique relies on the way in which Amitav Ghosh wants them to narrate the things. The narrator grandmother's nationalist faiths fail her because she comes to realize that borders have a tenuous existence, and that not even a history of bloodshed can make then real and impermeable. Lines on the map are the handiwork of administrators and cartographers. In 1964, as she ramp to fly to Dhaka, she wonders he she would be able to see the border between India and East Pakistan from the plane. When her son laughs at her, she replies "where's the difference then? And if there is no difference, both sides will be the same; it will be just like it used to be before." The grandmother has a typical view about nationalism, what she is unable to realize that one can be unsafe even in one's own country.

On the other hand, the new generation is in the belief of internationalism. Tridib is an idealist and he dreams of a better place, "a place without borders and countries." Tridib also do not believe in the borders and map and, in fact, in the nationalism. Read More Novel He really wants a world without a border. Read More Indian English Tridib had told the narrator of the desire that can "carry one beyond the limits of one's mind to other times and other places and, if one was lucky, to a place where there was no border between oneself and one's image in the mirror." When May comes down from England, he wants to meet her in a ruin, in a place "without a past, without grumpy, free, really free, two people coming together with the utter freedom of strangers."

The novel has an unnamed narrator relating the story of his experience, or to be precise, his uncle Tridib’s experience most of the times. Tridib was the narrator’s guiding spirit and mentor, who taught him how to use his imagination with precision who gave him worlds to travel in and eyes to see them with. Read More Novel The action of the novel has as its starting point the narrator’s memories of Tridib (then 8 years old) being taken to London during wartime and his experiences there with the Price family. Through the narrator’s grandmother and memories of her girlhood days in Dhaka, and her later return to the city in search of an old relative, the narrator is made aware of the tragic and violent consequences of the partition. Essentially the narrative ends with the incident, ghastly and tragic, of Tridib’s death in Dhaka riot.  

Although the narrator himself goes to London later as a student and makes contact with the Prices and his cousin Ila, it is more a relieving of Tridib’s experiences and trying to make sense of, in particular, the mystery that was his death. Read More Novel The personal dramas are played out against the canvas of sweeping historical events, the freedom movement and the rise of insurgency in Bengal, England’s war against Germany, the Chinese aggression and the Indo-Pak war, the desecration of the Hazratbal Shrine in Srinagar in 1963, and the communal riots in Khulna and Calcutta in 1964 – each of which directly or indirectly impinges on the adolescent narrator’s experience. 

Here the author shows that the borders those are drawn on the surface of the earth are so called borders which can not divide one's mind and imagination and the sense of nativity and origin. The borders between India and Pakistan were drawn by administrators who believed in "the enchantment of lines, hoping perhaps that once they had etched their borders on lie map, the two bits of land would sail away from each other like the shifting tectonic plates of the prehistoric Gondwanaland." Read More Novel But as the simultaneous riots show, there is a profound historical irony at work: " there had never been a moment in the 4000 year old history of that map when the places we know as Dhaka and Culcutta were more closely bound to each other than after they had drawn their lines- so closely that, I, in Calcutta, only had to look upon the mirror to be in Dhaka; a moment when each city was the inverted image of the other, locked into an irreversible symmetry by the line that was to set us free- our looking- glass border." The family of Dutta Choudhury and Price in London defy the borders between them, in fact, they defy nationalism and there is a continuous to and fro movement between them. So, the novel questions the efficacy of borders. Read More Indian English Again, although Thamma is in the ride of nationalism and wants self identity, but for a person locked in the present - like Ila -maps and memory are equally irrelevant.

Since the central concern of the novel is not what happened, but the meaning of what had happened, and the meaning emerges only when the past and present are considered together, the narrative does not have a linear sequence.   It shuttles back and forth in time indicating amongst other things, that the dividing line between past and present only a shadow line. And importantly, the two instances of the destructive force of nationalism in 1939 and 1964 mark not the actual times-pan of the novel but it’s hero’s growth from childhood to maturity. 

The narrator’s knowledge of war and war-time London was not gained from books but from its uncle Tridib’s experience. Tridib taught him how to use his imagination, by which he conjured up certain vivid pictures which by imperceptible degrees merged into a perception of history. Read More Indian English Likewise, the narrator’s knowledge of the 1964 riots and their causes was neither first-hand although as a boy he had a brush with the violence associated with it when an ordinary school day turned into a nightmare with rioting mobs on rampage in the streets giving his school bus chase. The narrator, being a boy then, was just told that Tridib’s death was due to an accident in Dhaka. It is Tridib who explains to him how one could be carried beyond the limits of one’s mind to other times other places.

 The Shadow Lines  is a novel which stands out for its powerful imagination. Both Tridib and narrator are extraordinary men with magnificent memory and dominant imagination. Narrator visits the house of the mentor and it is there that he is shown the places on the Atlas and told stories about them, about faraway places in central America, Africa, England and Sri Lanka so that even before he had moved out of Calcutta his vision had broadened to include these places. He could imagine very precisely sloping walls of Sri Lankan houses, which differed from theirs. Read More Indian English And it is here that he differed with his cousin ILA. She was a globe-trotting woman who had visited lots of places on the globe but actually speaking she had not travelled at all as she was a woman who lacked the power of imagination, to see the life in a story. Narrator could not persuade her to believe that a place does not merely exist, but has to be invented in one’s imagination:
“I could not persuade her that a place doesn’t really exist, that it has to be invented in one’s imagination; that her practical bustling London was no less invented than mine, neither more or nor less true, only very far apart. It was not her fault that she could not understand, for as Tridib often said of her, the invention she lived in moved with her that although she had lived in many places, she had never travelled at all.”

Tridib fires boy’s imagination and his London visit is nothing but the reliving of Tridib’s experiences and fulfillment of the visions that he had in Calcutta with him. Tridib had told him of the desire, real desire which was pure, painful and primitive that could carry one beyond the limits of one’s mind to other places and other times, and if, one was lucky , to a place where there was no border between oneself and one’s image in the mirror. The narrator perfected this so well that he could conjure up the details once told so lively and precisely as if he had lived with them. It surprises everyone when on his visit to London, he finds the house of Mrs. Price without anybody’s help nd once inside he is able to tell the way to the kitchen or where the Cherry tree was. Read More Indian English To Nick, he tells, though to his disbelief and perplexity that he was not meeting him for the first time but had actually grown with him. Ila had once told him about Nick in Raibazar when they were playing houses under the big table. After that day Nick Price whom he had never seen, and would, as far as he knew, never see, became a shadowy presence beside him, growing with him, but always bigger and better and in some way, more desirable. He did not know what, except that it was so in Ila’s eyes and therefore true. He would look into the glass and there he would be, growing always faster, always a head taller than him, with hair on his arms and chest and crotch while his were still pitifully bare. And yet he tried to look into the face of that ghostly presence , to see its nose, its teeth, its ears, there was never anything there, it had no features, no form; he would shut his eyes and try to see its face, but all he would see was a shock of yellow hair falling over a pair of bright blue eyes. Such a magnificent ability to visualize is certainly creditable.

Narrator has placed very meticulously the location of 44 Lymington Road and without help of Nick or Ila he goes on to find his own. He says, “It was easy enough on the A to Z street Atlas of London that my father had brought for me. Read More Novel I knew page 43 2F by heart; Lymington Road ought to have been right across the road from where we were. But now that we had reached the place I knew best, I was suddenly uncertain. The road opposite us was lined with terraces of cheerfully grimy, redbrick houses, stretching all the way down the length of the road. The houses were not as high or as singular as I had expected.

But still as I could tell that was where Lymington Road should have been, so I pointed to it and asked whether that was it. Yes said Nick. Good bye. Got it first time.” These spectacular feats of the narrator make Nick exclaim, “You are positively a mystic from the East. You have done it again.” And the narrator does it yet again by telling that they had a cherry tree in their house. Read More Indian English Thus, it is seen that the novel brings on the two aspects of desire and curiosity. They become food for thought for Tridib as well as the narrator and together they make a history in the novel.

Key Critical Points Discussed:

👉"The Shadow Lines" is a multilayered novel that deals with themes of memory, history, nationalism, and identity. 
👉The novel's nonlinear structure challenges traditional notions of storytelling and history.
👉The depiction of the partition of India and its aftermath highlights the destructive nature of nationalism as well as partition politics.
👉The novel explores the interconnectedness of people and events across borders and time.
👉The characters' complex identities and relationships reflect the complexities of postcolonial societies.


References:
1. Kohn, Hans. "Nationalism." Microsoft® Student 2007 [DVD]. Redmond, WA: Microsoft Corporation 2006. 
2. Kinder, Herrton. Politics in South Asian Novels. ABS publication, 2011. 
3.The shadow lines : Ghosh, Amitav : Free Download, Borrow, and Streaming : Internet Archive. (n.d.). Internet Archive. https://archive.org/details/shadowlines0000ghos_r7b4

Interpretation from “Louise” by W. Somerset Maugham: References to Conversations that Takes Place Between the Narrator and Louise



“I could never understand why Louise bothered with me. She disliked me and I knew that behind my back she seldom lost the opportunity of saying a disagreeable thing about me.”- 

“Louise” by W. Somerset Maugham

Introduction: # 

William Somerset Maugham (1874-1965), a celebrated writer of his time, showcased his versatility as a novelist, playwright, and short-story writer. His 1936 short-story "Louise" revolves around a woman who manipulates others with her supposed "weak heart" to fulfill her desires. Titled with a woman's name and written in the first person by a male author, the story hints at a captivating female protagonist. With its gripping narrative, emotional depth, and pervasive irony, the story exposes the intricate dynamics of human relationships. Maugham's central message highlights the alarming capacity of some individuals to sacrifice the well-being of others, including their own family members, for personal gain. 

Hidden Irony # 

As a perceptive observer of human nature and relationships, the author narrates the story of Louise in his own words, with a hidden twist of irony. He describes Louise as delicate and gentle, though she subtly conveys her dislike for him through her ladylike gestures. Surprisingly, despite her opinion of him as coarse, brutal, cynical, and vulgar, she inexplicably takes an interest in him. She invites him frequently for meals and even to her country house for a weekend, leaving the author perplexed. However, the twist reveals that Louise's true motive is not to deceive the author, but rather to win his belief in her sincerity and ultimately succeed in convincing him.

The prevailing moods of the story are ironical and emotional. This story is realistic in style. It is reveals human virtues and vices. The story “Louise” has a gripping and fast-moving plot. The plot of the story is complicated. The story has the following composition: there is no exposition. The development of the plot begins from the first paragraph. The climax is logically reached in dialogue between the narrator and Louise. The denouement is shown in the last paragraph. The elements of plot ordered chronologically. There are two main characters: Louise and the author himself, where Louise is a antagonist and the author is protagonist. There are also some flat characters such as Tom Maitland, the first husband of Louse; George Hobhouse, her second husband, and her daughter Iris.

A Second Marriage # 

During a sailing trip, Tom Maitland, selflessly giving all the rugs to Louise, succumbed to the cold and passed away. Surprisingly, Louise, despite the expectation of her demise, survived the tragedy. With a daughter named Iris and a substantial inheritance, people feared for her well-being. Restricted from strenuous tasks, Louise initially declined remarriage due to her weak heart. However, a year later, she wed George Hobhouse, a devoted soldier. Unfortunately, George left the military to care for Louise's health, leading them to spend winters in Monte Carlo and summers in Deauville.

Outlived #

The entire story shows Louise’s usual behavior and produces the necessary effect on the reader. And even that fact that she always repeated to her husband that she wouldn’t live long and the fact that she “outlived” both of them produces an ironic effect. For example, “She had too much delicacy ever to make a direct statement, but with a hint and a sigh and a little flutter of her beautiful hands she was able to make her meaning plain”. 

 It is possible to say that all Louise’s life is one big antithesis, because she has lived more than forty years softly making other people do what she wants but constantly repeating “I hate the thought of anyone sacrificing themselves for me.”

She might have a heart-attack!!

Despite Louise's frailty and delicate heart due to scarlet fever, she defied expectations in her marriage to Tom Maitland. Although Tom showered her with care and treated her as the most submissive wife, Louise possessed an unconquerable spirit. The author, witnessing her unexpected strength during an eight-mile walk and lively parties, admired her resilience. However, Louise disliked such comments, as they challenged the notion of her fragility. Her story is one of inner strength, hidden behind the appearance of weakness, reminding us that true strength often lies beyond what meets the eye.

Louise-antagonist and the narrator -protagonist #

Coming to the point, there are two main characters: Louise and the narrator himself, where Louise is an antagonist and the narrator is a protagonist. There are also some flat characters such as Tom Maitland, the first husband of Louse; George Hobhouse, her second husband, and her daughter Iris. Maugham was a shrewd observer of life and keen student of human nature, he was a highly intelligent man of the world, cherishing few illusions, and rarely admitting any trace of sentimentality into his works. As a playwright, his best plays are the ironical comment of a cynically humorous observer, aiming to present life as it really is.

A True to Life #

This is a true to life story , which can happen anywhere (the author does not even point to a place where the actions have been developing).  we can easily presume that he decided to write this story because Louise really had impressed him much. It seems to me that in some cases he even admires the ability of this woman to make everything in a way she wants it to be done. It produces such effect that she dies at the day of her daughter’s wedding only because she wants to show that she is really ill and has had right that her daughter’s wedding will kill her.

Hospital for Convalescent Officers# 

Louise, in spite of her weak heart, enjoyed the next two or three years- dressed beautifully, attended parties, gambled heavily. When war broke out, George Hobhouse rejoined his regiment and was killed after three months. Louise kept herself busy by turning her house at Monte Carlo, to a hospital for convalescent officers. The strain did not kill her, as her friends and Louise herself thought it would. Her hospital became most popular in France.

A Monstrous Woman?

The author took the opportunity to speak to Louise about it. He blamed her for being so selfish. He told her that for twenty five years, she had been fooling people—she buried two husbands, and now she, was about to ruin her daughter’s life. She was a monstrous woman. He thought that these words would give her a heart attack but it didn’t. She gave him a ‘gentle smile’ and said very soon he would be dreadfully sorry to have said that to her. Finally, on the author’s insistence, she agreed to get them married within a month, even though it would kill her She blamed the author for having no pity for her weak health and that she would die Louise kept her word. On the day of the wedding, in the morning, at ten o’clock, Louise died due to heart attack. “She died gently, forgiving Iris for having killed her.”
  When she was proposed by Tom Maitland, they thought that their daughter was much too delicate for the strenuous state-of marriage. But when Tom was determined to do everything for her, they handed her to him ‘as a sacred charge.’

No Submissive# 

Actually, Louise was not submissive. She pretended to be submissive and whenever there was a difference in opinion or a tussle about anything with her husband, initially she would yield:: But then her heart would fail her and then she would be laid up, in her usual sweet nature, without any complaints, for a week. Tom would be frightened to cross her and at last would persuade her to have her own way.  One day, when they were sailing, Louise needed all the rugs that were there to keep herself warm. Therefore, poor Tom died due to cold.

Stronger than One# 

Seeing Louise walk eight miles on an expedition the narrator remarked that she was stronger than one would have thought. Louise said that she would pay for it the next day and be at death’s door. The narrator told her that he thought she was strong enough to do what she wanted to; Louise retorted that he should not expect her to fall down dead just to please him. After the death of her second husband the narrator asked her if her heart was much better. She said that it was not, and that a specialist had told her that she must be prepared for the worst. The narrator commented that she had been prepared for that for nearly twenty years. Apparently the narrator was sarcastic, and Louise did not like him because she suspected that he did not believe in her.

Conclusion# 

"Louise" by W. Somerset Maugham illuminates the paradoxical nature of strength and fragility. Louise, despite her weak heart, displays an indomitable spirit that defies societal expectations. The story serves as a reminder that true strength cannot always be measured by physical attributes alone, but rather resides within the depths of one's character. It urges us to reconsider our assumptions and recognize the resilience that can be found in the most unexpected places.

Points of Analysis:

👉Exploration of Loneliness: Through their conversations, the narrator discovers Louise's profound loneliness, highlighting the emotional isolation she experiences in her life.
👉Search for Meaning: The discussions delve into Louise's search for meaning and purpose, as she grapples with existential questions and the desire for a more fulfilling existence.
👉Socioeconomic Divide: The conversations reveal the stark contrast between the narrator's privileged background and Louise's working-class struggles, shedding light on the societal divide and its impact on their perspectives.
👉Loss and Regret: The discussions touch upon Louise's past choices and the subsequent feelings of loss and regret, underscoring the consequences of one's decisions and the longing for what could have been.
👉Themes of Desperation and Hope: The conversations depict Louise's moments of desperation, yet also offer glimpses of hope and resilience as she seeks solace and understanding in her interactions with the narrator.


References
1. (PDF) Louise by William Somerset Maugham - DOKUMEN.TIPS. (n.d.). dokumen.tips. https://dokumen.tips/education/louise-by-william-somerset-maugham.html

How to the Reading of the History of English Literature?


"All of Stratford, in fact, suggests powdered history—add hot water and stir and you have a delicious, nourishing Shakespeare."
Margaret Halsey (1910 - 1997)

The history of English literature is invested with great importance, indicating as it does a landmark or development and expansion in the study of English literature as a whole. Indeed, from the ancient tribal worlds of Anglo Saxon to the present century space-age English literature has found a vivid and panoramic reflection in the history of the ages. Even a closer observation of the wide range and astonishing variety of the history of the ages is a formidably stupendous task, not to speak of scrutiny and analysis.

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