Role and Function of Adolphus Cusins in George Bernard Shaw's play, "Major Barbara"
Adolphus Cusins serves as a pivotal character in George Bernard Shaw's "Major Barbara," playing a significant role in both the plot and the thematic exploration of the play. But strange in characterization, being mysteriously aloof from the action yet in action , an observer and a choric commentator on the religious conflict between Undershaft and Barbara and finally as chosen a future Undershaft, Role and Function of Adolphus Cusins in the Shavian play, Major Barbara is complex and difficult to ascertain.
Adolphus Cusins has been introduced as – ‘a spectacled student slight thin haired and sweet voiced Professor of Greek’. ‘His sense of humour’, writes Shaw ‘is intellectual and subtle …… He is a most implacable, determined, tenacious, intolerant person …… capable possibly of murder, but not of cruelty and cursedness. By the operation of some instinct which is not merciful enough to blind him with the illusions of love, he is obstinately bent on marrying Barbara’.
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So, in a diplomatic way Undershaft suggests to Cusins that the real freedom and wealth of the people of the world would only be realized if intellectually gifted Professor like Adolphus Cusins and hard-boiled businessmen like undershaft will shake hands intellectual power and practical wisdom. Shaw suggests that cusins will never succeed by teaching a dead language and preaching an obsolete philosophy. Only a marriage of cusins’ knowledge of Greek and the power of money can make him beneficent to society. That is why cusins is ready to accept the inheritance of the Undershaft firm; he does not merely sell his soul for money whatever he does is for the larger benefit of the world. This is evident from Cusins’ explanatory statement to Barbara towards the end of the play: “As a teacher of Greek I have the intellectual man weapons against the common man. I now want to give the common man weapons against the intellectual man…………. I want a power simple enough for common man to use, yet strong enough to force the intellectual oligarchy to use its genius for the general good’. Cusins had long realized the truth, much before he met Undershaft and Barbara, and this is evident when he tells Barbara that this parting gift to one of his student, who went to war ‘was not a copy of Plato’s Republic, but a revolver and a hundred Undershaft cartridges……That act committed me to this place for ever”.
Cusins is a practical man, and never, unlike Barbara of the first stages of the play, yields to the Utopia of high ideas and visionary dreams. It is his absolute dedication to the practical reality that he even accepts Undershaft’s proposal in spite of the possibility of Barbara revolting against him. It is precisely because of this dedication to reality that when, at the end of the second act, the disillusioned Barbara undoes has uniform, Cusins does not meekly follow his aggrieved beloved trying to console her, but takes up the drum and follows the procession of the Army with bold enthusiasm.
Not that Cusins is casual in his approach to Barbara; on the contrary, he is madly in love with her and the Greek scholar is determined to marry Barbara at all costs. Had it not been for Barbara, Cusins would never have joined the Army. However, Cusins uses the Army much like he does his drum, considering it an instrument for his Dionysian ecstasies But he never confuses his love with his ultimate aim of braving the practical truth. Cusins’s dream comes true when Barbara approves his final decision and also takes up her father’s challenge to convert the well-fed, well clothed, materially satisfied people in Undershaft’s colony.
It must be mentioned that Cusins with his sheer self-control and ready wit is always have his own way by sheer determination. His confidence and business instinct are best evident in the Bargain Scene. The moment he realizes that Undershaft needs him he raises his price and establishes his own terms and conditions. No doubt his shrewd Greek scholar is the third protagonist of the play apart from Undershaft and Barbara. Witty, ironic, sensitive and talkative he also functions, as Margery Morgan points out, as a chorus who comments upon and interprets the action and ideals of Undershaft and Barbara, and personality clash. Indeed, this is the most natural thing to do for a collector of religions.
So, in conclusion it may said that Cusins acts as a foil to Barbara, contrasting her idealistic and religious views with his pragmatic and cynical outlook. His skepticism challenges Barbara's beliefs and forces her to confront the realities of the world. He represents the power of intellect and education. His academic pursuits and his ability to think critically challenge the simplistic solutions offered by the Salvation Army. He plays a crucial role in the development of Barbara's character. His influence helps her to question her beliefs and ultimately leads to her decision to join her father's munitions factory. Cusins' character also raises questions about the nature of morality and the relationship between idealism and pragmatism. His willingness to compromise his principles for the sake of practical goals challenges traditional notions of right and wrong. In essence, Adolphus Cusins is more than just a supporting character. He is a complex and multifaceted individual who contributes significantly to the play's exploration of themes such as idealism, pragmatism, and the nature of morality.
Reference:1. Shaw, G. B. (2004). Major Barbara. 1st World Publishing.
2.Bertolini, J. A. (1993). Shaw and Other Playwrights. Penn State Press.
3. Shaw, G. B. (2000). Major Barbara: Definitive Text Under the Editorial Supervision Of Dan H. Laurence With an Introduction By Margery Morgan.
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