Skip to main content

Defining Rhetoric :Sir Philip Sidney's ASTROPHEL AND STELLA ( Sonnet No 1)

ASTROPHEL AND STELLA( Sonnet No 1)
The best known of Sir Philip Sidney's sonnet sequence is  Astrophel and Stella (1591), a sequence of 108 sonnets celebrating an unrequited love affair.

Loving in truth, and fain in verse my love to show,
That she (dear She) might take some pleasure of my pain:
Pleasure might cause her read, reading might make her know,
Knowledge might pity win, and pity grace obtain;
I sought fit words to paint the blackest face of woe,
Studying inventions fine, her wits to entertain:
Oft turning others' leaves, to see if thence would flow
Some fresh and fruitful showers upon my sun-burned brain.
But words came halting forth, wanting Invention's stay,
Invention, Nature's child, fled step-dame Study's blows,
And others' feet still seemed but strangers in my way.
Thus, great with child to speak, and helpless in my throes,
Biting my truant pen, beating myself for spite—
"Fool," said my Muse to me, "look in thy heart and write."

This sonnet by Sir Philip Sidney, part of his Astrophil and Stella sequence, reflects the speaker's struggle to express his love through poetry. Let’s analyze it line by line, focusing on its rhetorical devices:

L1 ‘ Loving in truth, and fain in verse my love to show’----
Hyperbaton: This is a case of Hyperbaton since the order of the second part of the verse has been inverted . Instead of "fain in verse my love to show ", it should be " fain my love to show in verse. "
The repetition of the "L" sound in "Loving in truth" creates a musical quality and emphasizes the theme of love.

Alliteration: The speaker declares his sincere love and his desire to express it through poetry. The phrase "Loving in truth" implies genuine affection, while "fain" suggests eagerness. This line introduces a parallel structure with the phrase "in truth" paired with "in verse," emphasizing his intent to communicate through poetry. Alliteration of "l" sounds gives a soft tone to the expression of his feelings.

Antithesis: The contrast between "Loving in truth" and "fain in verse" highlights the dichotomy between expressing true love and attempting to convey it through poetry.

L2 ‘ That she, dear she , might take same pleasure of my pain’ ----
Antithesis: Here, the speaker hopes that the woman he loves will derive some enjoyment ("pleasure") from his expression of suffering ("pain"). The parenthetical "dear She" elevates the woman as someone precious, showing reverence. This antithesis of pleasure and pain highlights the paradox of love—the joy found in expressing one's sorrow.

Epigram : This is a case of Epigram since the statement seems to be contradictory .But on thinking more deeply one realizes that she may find  pleasure when she reads his pain fully created poetry .

L3-4 “ Pleasure might cause her read ,reading might make her know,
 Knowledge might pity win, and pity grace obtain,”  ---

Climax : This is case of climax .The ideas are arranged is an ascending order to enhance effect.

AnadiplosisParallelism: A repetitive structure (anadiplosis) occurs here, where "Pleasure" leads to "reading," and "reading" leads to "knowledge." The speaker envisions a progression from the pleasure of reading to an intellectual and emotional understanding.

The repetition of the phrase "Pleasure might cause her" followed by "reading might make her know" creates a balanced structure that emphasizes the desired effect of the speaker's words. knowledge of the speaker's pain might inspire pity in the beloved, and from that pity, the speaker hopes to gain "grace" (i.e., favor or love). The parallelism in the structure of the two clauses emphasizes the chain of reasoning.

L5-6 "I sought fit words to paint the blackest face of woe,
Studying inventions fine, her wits to entertain:"
Metaphor : The speaker describes his search for the right words to describe his sorrow ("blackest face of woe"). The metaphor of "painting" sorrow evokes the image of a carefully crafted representation, while "blackest face" serves as a vivid metaphor for deep anguish.
Contrast : He studies and devises "inventions fine" (elaborate poetic conceits) in the hope of entertaining the woman he loves. The phrase "her wits to entertain" suggests his attempt to intellectually engage her. The contrast between his effortful study and the word "entertain" hints at the emotional labor of crafting verses for someone else's delight.
Assonance: The repetition of the "o" sound in "woe," "show," "flow," and "throat" creates a harmonious effect and adds emphasis to the speaker's struggle.

L 7-8 “ Oft turning others ‘leaves, to see if thence would flow
 some fresh and fruitful showers upon my sun burnt  brain .” ---

 Paronomasia :This  is a case of paronomasia . Here the leaves are loss from those of trees than the papers of a book. 

Synecdoche: This is also a case of synecdoche [part for the whole] since the leaves  or pages of a book stand for the entire book . [ some……. Sun burnt brain ]

Metaphor: The speaker looks through the works of other poets ("others' leaves" refers to pages) for inspiration. "Thence would flow" suggests a hope for creative energy. This metaphor of searching for fresh ideas in others’ writings reflects his frustration with his own creativity.
This is also another case of Metaphor  since the brain has been compared to be sun burnt. The comparison is drowned in terms of a land suffering from drought. The speaker’s mind is described as "sun-burned," a metaphor for dryness or barrenness in terms of creativity. He hopes for "fresh and fruitful showers" (new ideas) to rejuvenate his mind. The imagery of rain nourishing the earth parallels inspiration revitalizing the poet. The comparison is not made explicitly.

L 9-10 But words came halting forth, wanting Inventions  stay;
 Invention, Natures child, fled stepdame  study’s blow ; ---

Personification:  This is a case of personification. ‘Invention’  ‘Nature’ and ‘study’ have all been spoken of as if they were human beings. Despite the poet's efforts, words come "halting forth," meaning they are slow and stilted. "Wanting Invention’s stay" suggests that his words lack the support of true creativity. The personification of words and Invention illustrates the struggle between form and content.

Metaphor: It is also a case of Metaphor because the relation between Nature and Invention  is compared to the relation between mother and child , while the relation between Invention and study have been compared to the relation between a child and its stepmother .
The comparison of "Invention" to "Nature's child" and "Study" to a "step-dame"(a metaphor for forced or artificial learning) employs metaphorical language to convey the idea that creativity and inspiration come naturally, but can be hindered by academic pursuits.

L 11 And others' feet still seemed but strangers in my way.
Metaphor: The "feet" here refer to poetic meter, and "strangers" imply that the poetic forms of other writers don’t suit him. The speaker feels disconnected from other poets’ styles. This line’s metaphor of feet as strangers emphasizes the alienation he feels in trying to follow traditional structures.

L 12-13 ‘Thus great with child to speak and helpless in my thros.
 Biting my truant pen, beating my self for spites

Metaphor:This is a case of Metaphor since the poet compares the painful process of writing a poem to the birth pangs of a mother. This extended metaphor of pregnancy emphasizes his creative frustration, as he longs to express himself but is hindered by the difficulty of articulation. The comparison is not stated explicitly.
Personification: The speaker’s frustration becomes physical, as he bites his "truant pen" (which metaphorically represents his failure to write). The self-punishment ("beating myself for spite") reveals his emotional turmoil. The personification of the pen as truant (rebellious) highlights the gap between intention and execution.

L 14 "Fool," said my Muse to me, "look in thy heart and write.""

Personification: The Muse is personified as a voice of reason and guidance, offering the speaker advice to "look in thy heart and write." This personification adds depth to the inner struggle of the poet.


Comments

Other Fat Writing

Popular posts from this blog

Dr. Samuel Johnson's "Preface to Shakespeare": Points to Remember

E ighteenth-century writer Samuel Johnson ((1709-1784) is one of the most significant figures in English literature. His fame is due in part to a widely read biography of him, written by his friend James Boswell and published in 1791. Although probably best known for compiling his celebrated dictionary, Johnson was an extremely prolific writer who worked in a variety of fields and forms. Chief Critical Approaches of Dr. Johnson are: Johnson tried teaching and later organized a school in Lichfield. His educational ventures were not successful, however, although one of his students, David Garrick, later famous as an actor, became a lifelong friend.

Kinds of Poetry: Narrative, Lyric, and Dramatic

Introduction: Poetry is a form of literary expression that has captivated readers and listeners for centuries. It allows poets to convey their thoughts, emotions, and experiences in a condensed and artistic manner. While there are countless poetic forms and styles, poetry can be broadly categorized into three main kinds: Narrative, Lyric, and Dramatic. Each of these kinds has distinct characteristics, purposes, and examples that showcase the rich diversity within the world of poetry. Kinds of poetry :  There are three great kinds of poetic writing: Narrative, Lyric, and Dramatic. Narrative poetry: Narrative poetry tells a story with a plot, characters, and a setting. It  is one of the oldest and most straightforward forms of poetry. It tells a story, often in a chronological sequence, using poetic devices to create a vivid and engaging narrative. Some key points about narrative poetry include: Storytelling: Narrative poetry focuses on storytelling, using poetic language to c...

Analysis of "Progress" by St. John Ervine as One Act Play

"Peace hath her victories No less renowned than war."- John Milton  (1608 - 1674)   Letters of State...Together with Several of his Poems ,  "To Oliver Cromwell" “Progress” by St. John Greer Ervine is a successful specimen of a one act play . It has not only a unity of theme (the abolition of war) the unities of time; place and action are also meticulously maintained. Thematically, “Progress”     is written against the background of the First World War in which thousands were butchered and many more became disabled for life. It left many mothers    childless and incredible number of widows and orphans. This insensible devastation has created diverse reactions in social thinking, and “Progress” by the Irish playwright St. John Greer Ervine is just the product of one of the strongest of these sentiments, namely the anti-war feeling of the post war modern age .  Through the basic conflict between two ideas- the point of view of ...