Skip to main content

Investigating Women’s Roles in Tribal Society with Specific Illustrations from Chinua Achebe’s Novels: Things Fall Apart, No Longer at Ease, Arrow of God, A Man of the People, and Anthills of the Savannah

Keywords: Women's Roles, Tribal Society, Contradictions, Orthodoxy, Igbo Culture, Women Empowerment, Nigerian Integrated Development, Tribal Integration and Development, Feminism, Political Marginalization, New Women, Gender Equality, Eco criticism, Eco feminism

  All of the Chinua Achebe’s novels Things Fall Apart (1958), No Longer at Ease (1960), Arrow of God (1964), A Man of the People (1966), and Anthills of the Savannah (1987) exemplify good socio-historical fictions. Achebe’s talent as a storyteller lies in his ability to recreate the period of African history and give it life and color. His hundreds of carefully chosen details express perfectly the atmosphere and flavor of precolonial to present Nigeria particularly the Igbo world. Although his attention to authenticity is evident, he smoothly incorporates his research into the stories.

Details of every setting make the events of Achebe’s novels more plausible. Achebe stimulates not only the reader's visual sense but all four other senses as well with his evocations of the smell of kolanuts and old muddy houses, the sounds of street, the taste of a fattened yam and spiced wine, and the feelings of tribal war. Achebe’s pidgins also incorporate language that appeals to the reader's social perceptions. The novels’ historical setting when relating his characters' emotions makes us spellbound.

The episodic plot structure features a series of minor conflicts and ultimately leads a single climactic resolution. Many surprises occur. With major surprises or conflicts, Achebe’s skillful development of characters and setting holds the readers’ as well as critics’ interest. The tapestry of Nigeria through which Achebe journeys captures the imagination and lingers long after the last page of the novels is turned. Again, Achebe simply presents the situation without passing explicit judgment. In this beautiful fictional world women of Nigeria hold a key cultural, societal and political agent.

Among the best known critics who have devotedly investigated the role of the tribal society and feminine identity in Achebe’s novels are Emmanuel Obiechina, Bernth Lindfors, Abiola Irele, David Carrol, G.D. Killam, G-C. M. Mutiso, Peter Nazareth, Emmanuel Ngara, Benedict Chiaka Njoku, Eustace Palmer, James Booth, Kwadwo Osei-Nyame and Shatto Arthur Gakwandi. But no where I find a timeline survey of women’s roles and Achebe’s goal of fictionalization of the journey of Igbo women into much desired New Women. In that perspective, topic for research “Investigating Women’s Roles in Tribal Society with Specific Illustrations from Chinua Achebe’s Novels: Things Fall Apart, No Longer at Ease, Arrow of God, A Man of the People, and Anthills of the Savannah” is unique as the research on the said field is very restricted. Here is few listed research or publications on the related topics :

 Ref:

Njoku, Benedict Chiaka. The Four Novels of Chinua Achebe: A Critical Study. Peter Lang. New York. 1984.

Lindfors, Bernth. Black African literature in English: a guide to information sources. Detroit, Michigan: Gale Research, 1979-1981.

Boehmer, Elleke. “Of Goddesses and Stories: Gender and a New Politics in Anthills of the Savannah”. Ed., Petersen and Rutherford, Chinua Achebe: A Celebration. Portsmouth, NH: Heinemann, 1990:130-138.

Carroll, David. Black African literature in English: a guide to information sources Detroit, Michigan: Gale Research, 1979-1981.

Innes, C. l. and Bernth.  “Achebe’s Things Fall Apart” in critical perspectives on Chinua Achebe. Washington D C, Three Continents Press, 1978.

 Obiechina, Emmanuel. Nigeria: Imo State Government Publications. Cambridge University Press,  1975.

 Palmer, Eustace.  An introduction to the African novel. Heinemann, 1977.

Irele ,   F. Abiola. The African Experience in Literature and Ideology, Indiana University Press , 1990.

Mutiso, G. C. M., Women in African Literature. East Africa journal Vol. 8 no. 3 March 1997.

Killam, G.D., The writing of east and central Africa. Heinemann International Literature & Textbooks, 1985.

Arthur, Gakwandi, Shatto. Novel and Contemporary Experience in Africa. Holmes & Meier Publishers Inc, 1981.

E. Modupe Kolawole, Mary. “Mutiple Inscriptions and the Location of Women in China Achebe’s Novel”. Chinua Achebe An Anthology of Recent Criticism. Ed. Mala Pandurang, Pencraft International, Delhi, 2010.

Sircar, Rupali. “Masculinity, Femininity and Androgyny: Igbo Culture in Chinua Achebe’s Things Fall Apart”. Chinua Achebe An Anthology of Recent Criticism. Ed. Mala Pandurang, Pencraft International, Delhi, 2010.

Pandurang,   Mala. “Chinua Achebe and the ‘African Experience’: A Socio-Literary Perspective”. Chinua Achebe An Anthology of Recent Criticism. Ed. Mala Pandurang, Pencraft International, Delhi, 2010.

Booth,   James. Writers and Politics in Nigeria. Hodder and Stoughton, London, 1981.



Comments

Other Fat Writing

Popular posts from this blog

Dr. Samuel Johnson's "Preface to Shakespeare": Points to Remember

E ighteenth-century writer Samuel Johnson ((1709-1784) is one of the most significant figures in English literature. His fame is due in part to a widely read biography of him, written by his friend James Boswell and published in 1791. Although probably best known for compiling his celebrated dictionary, Johnson was an extremely prolific writer who worked in a variety of fields and forms. Chief Critical Approaches of Dr. Johnson are: Johnson tried teaching and later organized a school in Lichfield. His educational ventures were not successful, however, although one of his students, David Garrick, later famous as an actor, became a lifelong friend.

Kinds of Poetry: Narrative, Lyric, and Dramatic

Introduction: Poetry is a form of literary expression that has captivated readers and listeners for centuries. It allows poets to convey their thoughts, emotions, and experiences in a condensed and artistic manner. While there are countless poetic forms and styles, poetry can be broadly categorized into three main kinds: Narrative, Lyric, and Dramatic. Each of these kinds has distinct characteristics, purposes, and examples that showcase the rich diversity within the world of poetry. Kinds of poetry :  There are three great kinds of poetic writing: Narrative, Lyric, and Dramatic. Narrative poetry: Narrative poetry tells a story with a plot, characters, and a setting. It  is one of the oldest and most straightforward forms of poetry. It tells a story, often in a chronological sequence, using poetic devices to create a vivid and engaging narrative. Some key points about narrative poetry include: Storytelling: Narrative poetry focuses on storytelling, using poetic language to c...

Analysis of "Progress" by St. John Ervine as One Act Play

"Peace hath her victories No less renowned than war."- John Milton  (1608 - 1674)   Letters of State...Together with Several of his Poems ,  "To Oliver Cromwell" “Progress” by St. John Greer Ervine is a successful specimen of a one act play . It has not only a unity of theme (the abolition of war) the unities of time; place and action are also meticulously maintained. Thematically, “Progress”     is written against the background of the First World War in which thousands were butchered and many more became disabled for life. It left many mothers    childless and incredible number of widows and orphans. This insensible devastation has created diverse reactions in social thinking, and “Progress” by the Irish playwright St. John Greer Ervine is just the product of one of the strongest of these sentiments, namely the anti-war feeling of the post war modern age .  Through the basic conflict between two ideas- the point of view of ...