Porter Scene Act II, SCENE III.in "Macbeth" By William Shakespeare----Structural and Linguistic Analysis of the Porter Scene in Macbeth
Macbeth By William Shakespeare
Significance of ‘Porter Scene’ in Macbeth
Act II, SCENE III. Court of Macbeth's castle.(porter Scene)
Knocking within. Enter a Porter
Here's a knocking indeed! If aman were porter of hell-gate, he should haveold turning the key.Knocking withinKnock,knock, knock! Who's there, i' the name ofBeelzebub? Here's a farmer, that hangedhimself on the expectation of plenty: come intime; have napkins enow about you; hereyou'll sweat for't.Knocking withinKnock,knock! Who's there, in the other devil'sname? Faith, here's an equivocator, that couldswear in both the scales against either scale;who committed treason enough for God's sake,yet could not equivocate to heaven: O, comein, equivocator.Knocking withinKnock,knock, knock! Who's there? Faith, here's anEnglish tailor come hither, for stealing out ofa French hose: come in, tailor; here you mayroast your goose.Knocking withinKnock,knock; never at quiet! What are you? Butthis place is too cold for hell. I'll devil-porterit no further: I had thought to have let insome of all professions that go the primroseway to the everlasting bonfire.Knocking withinAnon, anon! I pray you, remember the porter.Opens the gateEnter MACDUFF and LENNOX
Was it so late, friend, ere you went to bed,That you do lie so late?
'Faith sir, we were carousing till thesecond cock: and drink, sir, is a greatprovoker of three things.
What three things does drink especially provoke?
Marry, sir, nose-painting, sleep, andurine. Lechery, sir, it provokes, and unprovokes;it provokes the desire, but it takesaway the performance: therefore, much drinkmay be said to be an equivocator with lechery:it makes him, and it mars him; it setshim on, and it takes him off; it persuades him,and disheartens him; makes him stand to, andnot stand to; in conclusion, equivocates himin a sleep, and, giving him the lie, leaves him.
I believe drink gave thee the lie last night.
That it did, sir, i' the very throat onme: but I requited him for his lie; and, Ithink, being too strong for him, though he tookup my legs sometime, yet I made a shift to casthim.
Is thy master stirring?Enter MACBETHOur knocking has awaked him; here he comes.
Structural Analysis
Dramatic Purpose: The Porter scene serves as a comedic interlude in the otherwise tragic drama of Macbeth. It provides a stark contrast to the tense and suspenseful atmosphere that precedes and follows it, offering a moment of comic relief for the audience.
Dramatic Irony: The scene is rich in dramatic irony. The audience is aware of the gruesome murder that has just taken place, while the Porter remains oblivious, making jokes about hell and damnation. This contrast creates a humorous and unsettling effect.
Foreshadowing: The Porter's references to "equivocators" and "hell" foreshadow Macbeth's own descent into guilt and damnation. His drunken ramblings provide a subtle hint of the horrors that have taken place within the castle.
Linguistic Analysis
Language and Style: Shakespeare employs a variety of linguistic devices to create humor and interest in the Porter scene. These include:
- Wordplay and Puns: The Porter's dialogue is full of wordplay and puns, such as his references to "hell-gate" and "the everlasting bonfire."
- Exaggeration: The Porter's descriptions are often exaggerated and humorous, such as his claims about the number of people who would come to hell.
- Double Entendres: The Porter uses double entendres, playing on the multiple meanings of words to create suggestive or humorous effects.
- Rhyme and Rhythm: Shakespeare uses rhyme and rhythm to create a musical and memorable quality to the Porter's speech.
Social Commentary: The Porter's monologue also offers a glimpse into the social and cultural context of the play. His references to various professions and his commentary on drunkenness and morality reflect the attitudes and values of the time.
In conclusion, the Porter scene in Macbeth is a masterfully crafted piece of dramatic writing that effectively uses humor, irony, and linguistic devices to create a memorable and entertaining interlude. It serves a crucial role in the overall structure of the play, providing a contrast to the tragedy and foreshadowing the events to come.
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