Skip to main content

Analysis of Charles Lamb’s essay, "Modern Gallantry"

The ward ‘gallantry’ means a special respect or a show of chivalrous attention to women. Charles Lamb builds the essay, Modern Gallantry, on this theme and shows how the social attitude towards women in the 19th century England falls short of a genuine sense of gallantry.  “Modern Gallantry” becomes a satirical critique of the superficial and selective nature of what was considered chivalry or gentlemanly behavior in his time. In the essay, Lamb exposes the hypocrisy behind the concept of "gallantry" by showing how it was often reserved only for women of higher social status, while working-class women, such as servants or shopgirls, were largely ignored or mistreated by the same men who professed to be gallant.

Lamb begins with an attack against the popular pretension of the age that in comparison to the ancient times, the 19th century can pride itself upon a growing sense of gallantry. Lamb lashes at the falsity of this idea and points out in this essay that even the 19th century is devoid of a genuine sense of gallantry. Though, in contemporary times, Lamb saw the end of the practice of whipping females in public or similar disreputable and discourteous attitudes to women Lamb believes that in social life gallantry is still missing. “ In comparing modern with ancient manners, we are pleased to compliment ourselves upon the point of gallantry; a certain obsequiousness, or deferential respect, which we are supposed to pay to females, as females. I shall believe that this principle actuates our conduct, when I can forget, that in the nineteenth century of the era from which we date our civility, we are but just beginning to leave off the very frequent practice of whipping females in public, in common with the coarsest male offenders.” This idea he explicates in this essay.

 Lamb is basically concerned with a false show of gallantry in social life and his primary purpose is to expose the hollowness of such an attitude. Some men show a deferential attitude to women in cultured and upper class society. They are courteous in circles where they are known, where their objects of gallantry are either their own relations or women of status and rank. But elsewhere these same men betray a completely different attitude of neglect towards women of lower classes or of the poorer section of society. Often Lamb has noticed that women in theatre halls are denied seats while men occupy them without the least scruple. To add to their distress of such a situation, often such scandalous remarks like she should be welcome if she were a little young and handsomer pops up and put salt to the wound. Such remarks point out that in the cultural and social life gallantry was really absent. It is this discrimination between the old and the young, the beautiful and the ugly, the rich and the poor that exists in the attitude of men towards women in society that Lamb castigates in this essay. This hypocritical attitude towards women in society can be proved by the fact that even well dressed gentlemen in decent society often use such disreputable expressions about old women a “antiquated virginity” or refer to old spinster was having ‘over stood (their) market”. Such cases prove that in reality, a true sense of gallantry could not be attained by men in Lamb’s contemporary times.

 Lamb advocates the inculcation of consistent gallantry in social life. He says that he would only accept that Englishmen have realized true gallantry in their characters only when he would find a gallant man of fashion helping an apple women to pick up her wondering fruit fallen on the ground, or when he would help a fish wife in crossing a kennel. When a rich tradesman would sacrifice his box coat in favour of a poor woman traveling on the root of the same stage, coach, drenched in rain. When helping women in distress without any interests would be a common sight in the streets of England, Lamb would accept that ‘consistent gallantry’ has really enriched English life. The model of gallantry for Lamb was one. Joseph Paice, of Bread-street-hill, merchant, and one of the Directors of the South-Sea company, one who never had separate systems of attention to women in the drawing room and women in the market place. He showed courtesy even to a poor servant girl and reverenced and upheld all the forms of woman kind. Paice was induced to genuine consistent gallantry by being once rebuked by his beloved now dead, for restoring to hypocrisy when he showered compliments upon his while insulting a poor milliner girl a few minutes before. Paice learned her lesson and never again committed the mistake of showing different attitudes to women of different standards and classes.

In “Modern Gallantry,” Charles Lamb deftly uses satire to expose the hypocrisy of superficial chivalry in his society. Through his witty and ironic commentary, he critiques the class-based attitudes that underlie men’s treatment of women and calls for a more genuine form of respect that transcends social boundaries. Lamb’s essay remains relevant today, as it continues to encourage readers to reflect on the ways in which societal norms shape our interactions and attitudes toward others. Therefore, what Lamb means by gallantry is a uniform show of courteous respect to all women, irrespective of age, beauty, class and connections. Genuine gallantry consists in a show of respect and solicitation for women as women, without any consideration whatsoever. Finally it needs to be mentioned that Lamb also presents his view that it is also the women’s responsibility to be conscious of her self respect and to demand honour primarily for her existence as a women by her.            

            1.Lamb, C. (1923). Old China and Other Essays of Elia.

Comments

Other Fat Writing

Popular posts from this blog

Dr. Samuel Johnson's "Preface to Shakespeare": Points to Remember

E ighteenth-century writer Samuel Johnson ((1709-1784) is one of the most significant figures in English literature. His fame is due in part to a widely read biography of him, written by his friend James Boswell and published in 1791. Although probably best known for compiling his celebrated dictionary, Johnson was an extremely prolific writer who worked in a variety of fields and forms. Chief Critical Approaches of Dr. Johnson are: Johnson tried teaching and later organized a school in Lichfield. His educational ventures were not successful, however, although one of his students, David Garrick, later famous as an actor, became a lifelong friend.

Kinds of Poetry: Narrative, Lyric, and Dramatic

Introduction: Poetry is a form of literary expression that has captivated readers and listeners for centuries. It allows poets to convey their thoughts, emotions, and experiences in a condensed and artistic manner. While there are countless poetic forms and styles, poetry can be broadly categorized into three main kinds: Narrative, Lyric, and Dramatic. Each of these kinds has distinct characteristics, purposes, and examples that showcase the rich diversity within the world of poetry. Kinds of poetry :  There are three great kinds of poetic writing: Narrative, Lyric, and Dramatic. Narrative poetry: Narrative poetry tells a story with a plot, characters, and a setting. It  is one of the oldest and most straightforward forms of poetry. It tells a story, often in a chronological sequence, using poetic devices to create a vivid and engaging narrative. Some key points about narrative poetry include: Storytelling: Narrative poetry focuses on storytelling, using poetic language to c...

Analysis of "Progress" by St. John Ervine as One Act Play

"Peace hath her victories No less renowned than war."- John Milton  (1608 - 1674)   Letters of State...Together with Several of his Poems ,  "To Oliver Cromwell" “Progress” by St. John Greer Ervine is a successful specimen of a one act play . It has not only a unity of theme (the abolition of war) the unities of time; place and action are also meticulously maintained. Thematically, “Progress”     is written against the background of the First World War in which thousands were butchered and many more became disabled for life. It left many mothers    childless and incredible number of widows and orphans. This insensible devastation has created diverse reactions in social thinking, and “Progress” by the Irish playwright St. John Greer Ervine is just the product of one of the strongest of these sentiments, namely the anti-war feeling of the post war modern age .  Through the basic conflict between two ideas- the point of view of ...