Skip to main content

Literary Criticism: Marxism in details

Analyzing Literature through a Marxist Lens: Unveiling Socioeconomic Dynamics

Karl Marx (1818-1883), German political philosopher and revolutionary, is the most important of all socialist thinkers and the creator of a system of thought called Marxism.

Karl Marx
In literature, however, Marxism is a sociological approach to literature that views works of literature or art as the products of historical forces that can be analyzed by looking at the material conditions in which they were formed. In Marxism, the base of a society, that is, the way in which its economy is organized determines its superstructure, which is everything related to culture, law, religion philosophy, art, literature etc.

Marxism, as a literary criticism approach, stems from the broader Marxist ideology developed by Karl Marx and Friedrich Engels in the 19th century. Marxist literary criticism examines literature within the context of social and economic relations, focusing on how literature reflects and perpetuates the dominant class structure and power dynamics of a society.

In Marxist ideology, what we often classify as a world view (such as the Victorian age) is actually the articulations of the dominant class. Marxism generally focuses on the clash between the dominant and repressed classes in any given age. Major figures include Karl Marx, Friedrich Engels, Terry Eagleton, Fredric Jameson, Raymond Williams, Louis Althusser, Walter Benjamin, Antonio Gramsci, Georg Lukacs and Theordor Adorno, etc.

At its core, Marxism views literature as a product of the material conditions and class struggles of a given society. According to Marxists, the ruling class controls the means of production and exploits the working class, leading to social inequality and alienation. This perspective is applied to the analysis of literature, seeking to uncover the underlying social, economic, and political ideologies that shape literary texts.

Key Concepts in Marxist Literary Criticism:

Base and Superstructure: Marxists believe that society consists of two interconnected elements—the base (or economic structure) and the superstructure. The base refers to the material conditions of production, such as the mode of production and the relations of production. The superstructure encompasses institutions, ideologies, cultural practices, and literature. According to Marxism, the base influences and determines the superstructure, including literary works.

Class Struggle:

 Marxists emphasize the significance of class struggle in society. Literature is seen as reflecting and perpetuating this struggle, with the dominant class using literature to reinforce its position and justify its power. Marxists analyze how class relations and conflicts are portrayed in literature, and how characters and their interactions represent different social classes.

Ideology:

 Marxism views ideology as a set of beliefs, values, and ideas that serve the interests of the ruling class. Marxist literary criticism aims to uncover the dominant ideology conveyed in literary texts, exposing the hidden messages that support the status quo. It examines how literature can shape readers' understanding of social relations and influence their perception of reality.

Alienation:

 Marxists argue that capitalism leads to the alienation of the working class from their labor and from the products they create. Literary analysis from a Marxist perspective explores how alienation is represented in characters, settings, and themes, highlighting the dehumanizing effects of capitalism on individuals and society.

Historical Materialism:

 Marxist literary criticism employs historical materialism, which asserts that social, economic, and political structures evolve over time in response to material conditions. It examines how literature reflects the historical context in which it was produced, considering factors such as class struggles, industrialization, and social change.

Literature as Praxis:

 Marxist literary criticism advocates for literature to inspire social change and challenge the existing power structures. It encourages writers to expose class exploitation and inequality through their works and urges readers to critically engage with literature to gain insights into the oppressive nature of capitalism.

It's important to note that Marxist literary criticism has been subject to various interpretations and developments over time. Critics and scholars have applied Marxist principles to analyze a wide range of literary texts, from classical literature to contemporary works, seeking to uncover the underlying social and economic dynamics within them.


References

Marxism and literary history : Frow, John, 1948- : Free Download, Borrow, and Streaming : Internet Archive. (n.d.). Internet Archive. https://archive.org/details/marxismliteraryh0000frow

1. Literary Criticism: Marxism in details
2. Literary Criticism: Marxist Literary Studies
3. Literary Criticism: Marxism in details- Althusser’s Ideology
4. Literary Criticism: Marxism- Gramsci’s Hegemony

Comments

Other Fat Writing

Popular posts from this blog

Dr. Samuel Johnson's "Preface to Shakespeare": Points to Remember

E ighteenth-century writer Samuel Johnson ((1709-1784) is one of the most significant figures in English literature. His fame is due in part to a widely read biography of him, written by his friend James Boswell and published in 1791. Although probably best known for compiling his celebrated dictionary, Johnson was an extremely prolific writer who worked in a variety of fields and forms. Chief Critical Approaches of Dr. Johnson are: Johnson tried teaching and later organized a school in Lichfield. His educational ventures were not successful, however, although one of his students, David Garrick, later famous as an actor, became a lifelong friend.

Kinds of Poetry: Narrative, Lyric, and Dramatic

Introduction: Poetry is a form of literary expression that has captivated readers and listeners for centuries. It allows poets to convey their thoughts, emotions, and experiences in a condensed and artistic manner. While there are countless poetic forms and styles, poetry can be broadly categorized into three main kinds: Narrative, Lyric, and Dramatic. Each of these kinds has distinct characteristics, purposes, and examples that showcase the rich diversity within the world of poetry. Kinds of poetry :  There are three great kinds of poetic writing: Narrative, Lyric, and Dramatic. Narrative poetry: Narrative poetry tells a story with a plot, characters, and a setting. It  is one of the oldest and most straightforward forms of poetry. It tells a story, often in a chronological sequence, using poetic devices to create a vivid and engaging narrative. Some key points about narrative poetry include: Storytelling: Narrative poetry focuses on storytelling, using poetic language to c...

Analysis of "Progress" by St. John Ervine as One Act Play

"Peace hath her victories No less renowned than war."- John Milton  (1608 - 1674)   Letters of State...Together with Several of his Poems ,  "To Oliver Cromwell" “Progress” by St. John Greer Ervine is a successful specimen of a one act play . It has not only a unity of theme (the abolition of war) the unities of time; place and action are also meticulously maintained. Thematically, “Progress”     is written against the background of the First World War in which thousands were butchered and many more became disabled for life. It left many mothers    childless and incredible number of widows and orphans. This insensible devastation has created diverse reactions in social thinking, and “Progress” by the Irish playwright St. John Greer Ervine is just the product of one of the strongest of these sentiments, namely the anti-war feeling of the post war modern age .  Through the basic conflict between two ideas- the point of view of ...