Skip to main content

BANKURA UNIVERSITY//Syllabus//Complete Note Links// B.A. WITH ENGLISH MAJOR// NEP// 2023-24//-- A Message, Note Cluster, SEMESTER – II

  Boost Your BA English Journey!

Hey BA English students!

Need help navigating your course? Want to enhance your language skills and literary knowledge? I'm here to support you!

Get Exclusive Resources:

  1. - Study guides and notes for BA English papers
  2. - Analysis and summaries of literary texts
  3. - Language skills development tips (reading, writing, speaking)
  4. - Career guidance and opportunities in English
  5. - Book reviews and recommendations

Stay Ahead:

  1. - Follow my blog for regular updates ([https://ardhendude.blogspot.com/])
  2. - Join my online community for discussion and Q&A ([https://www.facebook.com/Ardhendude.AD])
  3. - Subscribe to my YouTube channel for video lessons ([https://youtube.com/c/ArdhenduDe?sub_confirmation=1])
  4. - Email me for personalized guidance ([ardh.de@gmail.com])

Free Resources:

  1. - Downloadable study guides and notes
  2. - Video lessons and tutorials
  3. - Podcast discussions on literature and language

Let's Excel in BA English Together!

Best regards,

[ARDHENDU DE]

B.A. WITH ENGLISH MAJOR OR ENGLISH AS A MINOR SUBJECT OR A MULTIDISCIPLINARY OPTIONAL IN THE FOUR YEAR UNDERGRADUATE

PROGRAMME DESIGNED AS PER NEP, BANKURA UNIVERSITY, 2023-24

Visit BANKURA UNIVERSITY

SEMESTER – II

Course Title (Discipline Specific Core): Indian Classical Literature
Course Code: A/ENG/201/MJC-2
Credit: 04 Contact Hours/week: 04
Maximum Marks: 50 (ESE-40; IA-10) Examination Duration: 2 Hours

Course Objectives:

• To cultivate in students an interest in and awareness of certain texts and excerpts that mark the beginnings or important moments of subconhnental literary tradihons, and have gained resonant azerlives across space and tense in the region, and beyond.

• To expose them to the breadth and emergent possibilihes of English Studies in contemporary India, especially the translational dimension.

• To introduce them to the comparahve aspect of English Studies in India, so that they develop a trans-temporal perspective comparing canonical literary texts composed in the Western and Indian schools of thought, art, ethics and aesthehcs, when they would be introduced to literatures written in English, including British literature, in the next semesters

• To cultivate in students an awareness of the economic, socio-polihcal and cultural contexts of the age that produced Indian classical literature and its theories of aesthehcs, ethics and epistemology

• To historically situate the diverse classical Indian literatures composed in Sanskrit, Tamil, Prakrit, Pali with focus on major texts composed in principle genres, especially the epic tradition

Course Outcomes:

• On successful completion of the course, students will obtain comprehensive knowledge and coherent understanding of Indian aesthehc, ethical and literary-crihcal tradihons, and will be equipped with tools of crosscultural aesthehcs. It would help them analyze, interpret and appreciate various texts, including literatures  composed in English, from a comparative translational perspective.

• Students of English literature in Indian classrooms would gain a first-hand acquaintance of classical Indic textslike Kalidasa’s Abhijnanasakuntalam, the Mahabharata and the Indian Epic Tradition in translahon. This would moor them in an awareness of the plural classical aesthehc and critical prisms of the subconhnent while engaging with global literatures in English/ English translation, thereby enabling them to unlearn the processes of epistemic colonization.

• Students would be trained in close literary-critical readings of the texts in order to appreciate the inclusive attributes of Indian classical literature

• This introductory course in the English (Hons.) syllabus would enable students to trace the evolution of diverse literary cultures in India in their historical contexts and explore issues of genre, themes and crihcal debates, thereby grounding the students in the ethics of translahon, comparison and an India-perfumed glocal (global/local) prism. It could kindle research interest in Indian classical literature from a comparahve perspective among students of English literatures in Indian classrooms.

Course Content:

  • 1. Kalidasa: Abhijnanasakuntalam
  • 2. Vyasa: “The Dicing”; “The Temptahon of Karna”
  • 3. Indian Epic Tradition [The Ramayana, The Mahabharata, Kalidasa’s Kumarsambhava];
  • Epic Tradition in Bengal (Sri Aurobindo, Madhusudan Duq);
  • Short Epic Tradition (Khanda-Kavya such as Kirtana, Oja Pali, Pandavani, Kuqu etc)]
  • Alamkara and Rasa

Marks Division:

The course will have an Internal Assessment Test of 10 marks.
Question Pattern for End Semester Examination: Total 40 marks

  • 1 long question worth 10 marks out of 2 queshons to be aqempted from each of the Units 1 and 2: 2x10=20
  • 2 short questions/short notes worth 5 marks each out of 4 questions to be attempted from Unit 3: 2x5=10
  • 5 short questions worth 2 marks each out of 10 questions to be attempted from Units 1 and 2 : 5x2=10

Comments

Other Fat Writing

Popular posts from this blog

Dr. West’s New Method of Teaching English :Its Merits and Demerits

                 D r. Michael Philip West (1888–1973) conducted an extensive research and experiments on the problems of teaching English as a foreign language in India at the time of British rule . Read More Teaching English The new method is the outcome of his research. It stood as a reaction against the Direct Method. Going into more details, when Dr. West came to visit rural Bengal students (1913- 19) en route teaching job at Teachers’ Training College  at Dhaka, West's conclusions about English learning issues in Bengal, India were as follows: 👉Students spent about 10 hours a week on English study with extremely poor results. 👉Only a minority reached the Matriculation class due to health or financial reasons. Read More  Teaching English 👉Even in the Matriculation class, students lacked real reading ability, speaking fluency, and writing proficiency in English. 👉A 1919 Calcutta University...

Dr. Samuel Johnson's "Preface to Shakespeare": Points to Remember

E ighteenth-century writer Samuel Johnson ((1709-1784) is one of the most significant figures in English literature. His fame is due in part to a widely read biography of him, written by his friend James Boswell and published in 1791. Although probably best known for compiling his celebrated dictionary, Johnson was an extremely prolific writer who worked in a variety of fields and forms. Chief Critical Approaches of Dr. Johnson are: Johnson tried teaching and later organized a school in Lichfield. His educational ventures were not successful, however, although one of his students, David Garrick, later famous as an actor, became a lifelong friend.

Kinds of Poetry: Narrative, Lyric, and Dramatic

Introduction: Poetry is a form of literary expression that has captivated readers and listeners for centuries. It allows poets to convey their thoughts, emotions, and experiences in a condensed and artistic manner. While there are countless poetic forms and styles, poetry can be broadly categorized into three main kinds: Narrative, Lyric, and Dramatic. Each of these kinds has distinct characteristics, purposes, and examples that showcase the rich diversity within the world of poetry. Kinds of poetry :  There are three great kinds of poetic writing: Narrative, Lyric, and Dramatic. Narrative poetry: Narrative poetry tells a story with a plot, characters, and a setting. It  is one of the oldest and most straightforward forms of poetry. It tells a story, often in a chronological sequence, using poetic devices to create a vivid and engaging narrative. Some key points about narrative poetry include: Storytelling: Narrative poetry focuses on storytelling, using poetic language to c...