J.M. Synge's Riders to the Sea: Dramatic Significance of Two Sisters : Chorus in the Play?
J.M. Synge's Riders
to the Sea is a short drama. Quite naturally, because of its short compass, the
play does not accommodate a large number of characters. Synge, therefore, confines the
number of his dramatic personae to just four. Maurya is acknowledged the
central figure of the play, and next to her stands Bartley whose death marks
the final catastrophe of the tragedy. The other two characters are Cathleen and
Nora who despite being minor characters are of considerable dramatic
significance. They are two sisters, Maurya being their mother,Bartley is their
brother, the last of their six brothers. The play is concerned with the affair
of a single family, consisting of four members Maurya, her two daughters and
her youngest son. Nevertheless, the effect of the play is not merely one of a
domestic tragedies; instead it breathes the universality that one finds in the
classical tragedy, tragedies of Aeschylus, Sophocles and Euripides. Anyway, what
concerns us here is neither Maurya nor Bartley. The two sisters are the centre
of our attention, and we should do well to examine the dramatic significance of
these two characters as the chorus in Rider to the Sea.
Cathleen
is a young girl of twenty. Her tender age notwithstanding, she shows perfect
maturity of judgment. Her mother is old, too old to supervise the affair of the
family. Hence it is she who virtually runs the domestic department after the
sheep and hags and collects weeds. She also served as elder sister. Nora
tells Cathleen
that even if Bartley goes to the mainland in a stormy atmosphere,
no harm will be done according to young priest, and so she has no concern about Bartley who
is about to undertake a Journey over the wild sea. She is quite certain that no
danger will tough Bartley during his Journey. However, though very young in
age, Cathleen
has a special capacity for reading the character of the sea. Hence
Cathleen asked her to give an account of the condition of the sea prior to the
Journey of Bartley.
The
two characters have much in common, and yet they stand apart . These features reflected in their behavior patterns. Cathleen speaks less and
thinks more. Nora speaks more and thinks less. Cathleen accepts nothing without
examining the validity of it, but not so with Nora. She accepts what even comes
her way. The domestic affairs are supervised by Cathleen, Nora only assisting
her sister, showing little sense of sereneness.
Sometimes
it is said that the two sisters play the role of the chorus in the play. But
the chorus in a classical tragedy has no involvement in that action. Moreover,
the chorus are more a machinery than a living being. But the two sisters in
the play have their involvement in their action. Moreover, the chorus is more a
machinery than a living entity. But the two sisters in the play have their
involvement in their action. Furthermore, in no sense, they are just machinery
without individual traits. Rather they bubble with vitality, each having her
likes and dislikes, moods and sentiments, doubts and faiths. So these two characters should not be bracketed with the choric figures as we come across in
the ancient classical play. However, to some extent, they perform the function
of chorus. The conversation between Cathleen and Nora at the beginning of the
play provides the information that Michael has been missing for several days
and that the death of Michal is certain. Moreover, from time to time the chorus
voices the mind of the author. When Cathleen says “It’s the life of a young man
to be going o the sea”, her words seem to articulate the idea of the author.
This is how both Nora and Cathleen serve as the chorus in certain portions which obviously highlights their dramatic significance in the play.
Note: In J.M. Synge's "Riders to the Sea," the two sisters, Cathleen and Nora, serve as a chorus-like element in the play, conveying the dramatic significance through their roles:
👉Exposition: They provide essential information about the family's tragic history.
👉Emotional Connection: Their reactions reflect the collective grief and sorrow of the community.
👉Foreshadowing: Through their dialogue, impending doom and conflict are hinted at.
👉Symbolism: They represent the wider community's suffering, enhancing the play's tragic impact.
Reference:
Riders to the sea : Synge, J. M. (John Millington), 1871-1909 : Free Download, Borrow, and Streaming : Internet Archive. (n.d.). Internet Archive. https://archive.org/details/riderstosea00syng
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Moreover, the chords
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okey dear I have edited the text... thanks
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