Skip to main content

The Greater Sinner – Arthur Dimmesdale or Roger Chillingworth in The Scarlet Letter ?


"A bodily disease, which we look upon as whole and entire within itself, may, after all, be but a symptom of some ailment in the spiritual part."
Nathaniel Hawthorne (1804 - 1864)

In Nathaniel Hawthorne's novel "The Scarlet Letter," the question of who the greater sinner is—Arthur Dimmesdale or Roger Chillingworth—has been a subject of debate among scholars and readers. Both characters are morally complex, and their sins are intertwined with the overarching themes of the novel. Here are seven key points to consider when evaluating who might be the greater sinner:

1. Dimmesdale's Hidden Guilt:

Arthur Dimmesdale, the town's revered minister, commits the sin of adultery with Hester Prynne but keeps it hidden from society. His secret sin eats away at him, causing profound inner torment and self-inflicted suffering. While he doesn't openly acknowledge his sin, his hypocrisy as a spiritual leader is evident.

2. Chillingworth's Vengeful Pursuit:

Roger Chillingworth, Hester's estranged husband, arrives in town and becomes aware of Hester's affair. Rather than seeking reconciliation, he decides to seek revenge on the man responsible, ultimately targeting Dimmesdale. Chillingworth's relentless pursuit of revenge involves exploiting Dimmesdale's guilt and tormenting him psychologically.

3. Dimmesdale's Spiritual Influence:

As a revered religious figure, Dimmesdale's hidden sin is compounded by his influence over the community. He preaches passionately about morality and repentance, even as he himself remains unrepentant for his sin. His position makes him a symbol of hypocrisy and deception.

4. Chillingworth's Transformation:

Chillingworth transforms from a once-learned, kind-hearted man into a vengeful and malevolent figure. His obsession with revenge consumes him, leading him to manipulate Dimmesdale's guilt and suffering, effectively torturing him mentally.

5. The Consequences of Hidden Sin:

Dimmesdale's hidden sin not only affects him but also indirectly leads to the physical and emotional deterioration of Hester and the psychological torment of Chillingworth. His inability to confess his sin contributes to the suffering of those around him.

6. Chillingworth's Intentions:

While Chillingworth's actions are fueled by a desire for revenge, it's essential to consider his motivations. He sees himself as a wronged husband seeking justice, and his actions are driven by a desire to expose the truth, even if his methods are morally questionable.

7. Redemption and Accountability:

A crucial element in evaluating the greater sinner is the potential for redemption and accountability. While both characters ultimately suffer and die, Dimmesdale does experience a moment of public confession and redemption on the scaffold near the novel's end. Chillingworth, on the other hand, remains unrepentant to the very end, suggesting a deeper moral depravity.

In conclusion, the question of who the greater sinner is in "The Scarlet Letter" is complex and open to interpretation. Arthur Dimmesdale's hidden guilt and hypocrisy as a spiritual leader make him a strong contender for this designation. However, Roger Chillingworth's vengeful pursuit of revenge and his transformation into a malevolent figure also weigh heavily in this assessment. Ultimately, it may be argued that Dimmesdale's potential for redemption, demonstrated through his confession, sets him on a path toward moral recovery, while Chillingworth's unrelenting vengeance and lack of remorse make him the more morally corrupt character in the end. Nevertheless, this evaluation is subject

Ardhendu De

References:
The scarlet letter : Hawthorne, Nathaniel, 1804-1864 : Free Download, Borrow, and Streaming : Internet Archive. (n.d.). Internet Archive. https://archive.org/details/scarletletter00hawt


Comments

Other Fat Writing

Popular posts from this blog

Dr. Samuel Johnson's "Preface to Shakespeare": Points to Remember

E ighteenth-century writer Samuel Johnson ((1709-1784) is one of the most significant figures in English literature. His fame is due in part to a widely read biography of him, written by his friend James Boswell and published in 1791. Although probably best known for compiling his celebrated dictionary, Johnson was an extremely prolific writer who worked in a variety of fields and forms. Chief Critical Approaches of Dr. Johnson are: Johnson tried teaching and later organized a school in Lichfield. His educational ventures were not successful, however, although one of his students, David Garrick, later famous as an actor, became a lifelong friend.

Kinds of Poetry: Narrative, Lyric, and Dramatic

Introduction: Poetry is a form of literary expression that has captivated readers and listeners for centuries. It allows poets to convey their thoughts, emotions, and experiences in a condensed and artistic manner. While there are countless poetic forms and styles, poetry can be broadly categorized into three main kinds: Narrative, Lyric, and Dramatic. Each of these kinds has distinct characteristics, purposes, and examples that showcase the rich diversity within the world of poetry. Kinds of poetry :  There are three great kinds of poetic writing: Narrative, Lyric, and Dramatic. Narrative poetry: Narrative poetry tells a story with a plot, characters, and a setting. It  is one of the oldest and most straightforward forms of poetry. It tells a story, often in a chronological sequence, using poetic devices to create a vivid and engaging narrative. Some key points about narrative poetry include: Storytelling: Narrative poetry focuses on storytelling, using poetic language to c...

Analysis of "Progress" by St. John Ervine as One Act Play

"Peace hath her victories No less renowned than war."- John Milton  (1608 - 1674)   Letters of State...Together with Several of his Poems ,  "To Oliver Cromwell" “Progress” by St. John Greer Ervine is a successful specimen of a one act play . It has not only a unity of theme (the abolition of war) the unities of time; place and action are also meticulously maintained. Thematically, “Progress”     is written against the background of the First World War in which thousands were butchered and many more became disabled for life. It left many mothers    childless and incredible number of widows and orphans. This insensible devastation has created diverse reactions in social thinking, and “Progress” by the Irish playwright St. John Greer Ervine is just the product of one of the strongest of these sentiments, namely the anti-war feeling of the post war modern age .  Through the basic conflict between two ideas- the point of view of ...